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“... from 1931 to the year of his death, 1963: mostly reviews of Yeats, Eliot, Auden, Dylan Thomas, Robert Frost, a few cultural pronouncements, comments on translations of Greek tragedies – he was happy schoolmastering Gilbert Murray, R.C. Trevelyan, Robert Fitzgerald, and Christopher Logue – and some lively words ...”

“... many devoted friends at Harvard (as Millier notes), ranging from Octavio Paz to William Alfred and Robert Fitzgerald, and in her writing courses found students whom she admired and liked, both male and female. She also found a new person to love, Alice Methfessel, the administrative assistant at Kirkland House (the student residence where Bishop was first ...”

“... immersed in Homer, the other in the Georgics, Eclogues and Aeneid. If the turn of spirit in, say, Robert Graves and Saint-Jean Perse is radically Homeric, that in T.S. Eliot and Valéry is unmistakably Virgilian. The equations become non-linear, as it were, by virtue of the several presences of Dante. Recalling early childhood, Proust sees himself trailing ...”

“... Barzun, R.P. Blackmur, Alfred Kazin, Lionel Trilling, Delmore Schwartz, Allen Tate, Kenneth Burke, Robert Fitzgerald, Leslie Fiedler and John Crowe Ransom – this last its founder as a school of literary criticism ‘to teach those who teach it’. Marianne Moore, in Brooklyn, had a quieter time, but was just as much in touch with them all through ...”

“... economically in the words ‘uncouth of speech’. The relentlessly reader-friendly translation by Robert Fitzgerald departs from the usual reading to say the Carians were led by their chief ‘in their own tongue’. Robert Fagles, whose version aims at an idiomatic directness lacking in Lattimore, without the ...”

“... things he wished he could do – ‘a dozen Chekhov-Shakespeare novels’, as one of his editors, Robert Phelps, summarised a characteristic resolution; a life of Jesus; a novel about the atom bomb – were to become an almost public constituent of his writing life. His criticism is marked by the same mixture of yearning and disappointed hopes. Agee’s ...”

“... will wish to have this edition. By contrast, Mark Musa’s rendering has something in common with Robert Fitzgerald’s new version of the Aeneid, following his similar productions of the Iliad and Odyssey. Here again the achievement is to involve the common reader in the whole scope and meaning of a poem which has usually been presented to him through ...”

“... the summer of 1952, shortly after the publication of her first novel, Wise Blood. Her friend Sally Fitzgerald, the wife of the poet and translator Robert Fitzgerald, broke the news, which effectively terminated all dreams of escaping Andalusia, the farm outside Milledgeville run by her mother. There O’Connor spent the ...”

“... of this kind was the conviction that Pound had undergone a fundamental change of heart in Pisa. Robert Fitzgerald, reviewing the Pisan Cantos in the New Republic in August 1948, was glad to find the poet ‘for the first time expressing a personal desolation and a kind of repentance’. The trick was to imagine a desolation so extreme that, whatever ...”

“... In 1997, three years before her death, Penelope Fitzgerald asked her American publisher, Chris Carduff, who had offered to send her any books she wanted, for a copy of Wild America by Roger Tory Peterson and James Fisher. An account of a 30,000-mile journey around the continent by two naturalists, it was originally published in 1955 and was being reissued in memory of Peterson, who had recently died ...”

“... of illness. She grew up in Milwaukee, where her maternal grandfather owned a department store (Robert Kanigel describes him as ‘a force in the local Jewish community and a major philanthropist’). Her mother thought the Californian climate would help Marian recover from Spanish flu – and also wanted to enrol at the university herself. Marian’s ...”

“... of The Shropshire Lad was quaint in its time but became the more modern the more it caught on. FitzGerald’s version of Omar Khayyam, which became the most popular poem of the century, is sui generis in the same way. It also seems to stand outside its author. Although Professor Martin does the best that can be done with him, ...”

“... Hollywood was the obvious solution to anyone struggling to make a living out of writing. Scott Fitzgerald, Faulkner, Robert Benchley, Dorothy Parker, Nathanael West, all did their time on studio payrolls, and West and Fitzgerald in their respective last works, The Day of the Locust and ...”

“... Emily Tennyson had never liked the picture, perhaps in part because she also disliked Edward FitzGerald, who had originally commissioned it from Samuel Laurence. Earlier she had asked Watts to repaint it, but he refused, and during her husband’s lifetime she had not succeeded in finding another painter whom she trusted to touch it, so that it had hung ...”

“... A few days after the World Trade Center was destroyed I heard on the radio that Cantor Fitzgerald, which had traded bonds on its 101st, 103rd, 104th and 105th floors, had six hundred missing employees, and needed volunteers to help run a support centre for their families. I put my name on a list. They asked me to come to the ballroom of the Plaza Hotel on Monday, 17 September, by which time ‘missing’ had changed, in everyone’s minds, to ‘presumed dead ...”